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Zero Option
Chris Ryan
The Sandman, Vol. 1: Preludes and Nocturnes
Neil Gaiman, Malcolm Jones III, Karen Berger, Sam Kieth, Todd Klein, Mike Dringenberg
Bad Soldier
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The View from the Cheap Seats: Selected Nonfiction
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Faith Versus Fact: Why Science and Religion Are Incompatible
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London Fields
Martin Amis

I don't usually care for dances.


I found them pretentious and just not pretty. 


This is different. The focus shift from being extremely self-centered from the dancer point of view, to be audience focused. The thing works because it is design from the audience perspective.


Well done.