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Career of Evil
Robert Galbraith
The Sandman, Vol. 1: Preludes and Nocturnes
Neil Gaiman, Malcolm Jones III, Karen Berger, Sam Kieth, Todd Klein, Mike Dringenberg
Bad Soldier
Chris Ryan
More Than This
Patrick Ness
The View from the Cheap Seats: Selected Nonfiction
Neil Gaiman
The Pier Falls: And Other Stories
Mark Haddon
Faith Versus Fact: Why Science and Religion Are Incompatible
Jerry A. Coyne
Telegraph Avenue: A Novel
Michael Chabon
London Fields
Martin Amis
Good Omens
Terry Pratchett, Neil Gaiman

Plot driven has driven out some of the good literature

The Recognitions - William Gaddis, William H. Gass Super Sad True Love Story - Gary Shteyngart number9dream - David Mitchell The Pale King - David Foster Wallace, Michael Pietsch C - Tom McCarthy Journey Into Space - Toby Litt

An old article "Has plot driven out other kinds of story?" http://www.theguardian.com/books/2011/jul/14/plot-driven-out-other-kinds-story has asked this question. 

 

As readers we all worry that the biggest money making for book writer is to have their books sold as potential movies. And if the book really turned into movies that did not suck, it would in turn drive sales of their books.

 

For very literary work, this might not translate as well onto screen.  There might not be any plot that drive the story.

 

For me, it is more difficult to read work that is not plot driven, but that's probably where the skill of writing that turned into art form, for appreciation of the beauty of words joined together instead of having likable central characters and things that happen to them.

 

In order to support these form of literature, the publishing has to think not only of sales and markets, but on the values of books as a form of art.